Friday, November 22, 2019

Fantasy Religions Primer, Part II--Eberron

For those not familiar with Eberron, it is the creation of Keith Baker, and was submitted to Wizards of the Coast as part of an open call for new D&D campaign settings.  It was first published in 2004 for 3.5e, republished for 4e, and has now come out in the form of Eberron: Rising from the Last War.  This is exciting news for me, because for my money, Eberron has by far the most interesting religious system of any WotC campaign setting, and it's not particularly close.  In particular, it highlights, and then addresses, a couple of basic issues that any fantasy religion must grapple with.

1.  Religion Is Not the Same as "The Gods."  So, let's begin at the beginning.  There are definitely people who will disagree with what I am about to say, but I would define "religion" (both in the real world, and in a fantasy world) to mean "a system or structure that promotes a metaphysical idea or set of ideas that inform the way a member of the system or structure views the world."  Said another way, religions have three parts (1) some claim or set of claims about the world that transcends simple materialism (20th Century theologian Paul Tillich called this an "Ultimate Concern"); (2) some organizing principle for people who hold the claim; and (3) some way in which that claim impacts the lives of the those hold it.

Notice that none of those three elements require or necessarily involve some belief in a god or gods.  The gods or some single god may provide that source of Ultimate Concern, but it doesn't have to be that way.  Religious systems do not have to be grounded in deities, but instead in some other set of principles or ideas.  Buddhism, for example, isn't necessarily concerned with divine entities (depending on the sect of Buddhism).  More controversially, I would argue that many comprehensive philosophical and political systems, like Marxism or Fascism (or, if you want to be even edgier, Capitalism), are religions that either officially reject the existence of divine entities, or are indifferent to their existence.

Generally, fantasy religions are hyper-focused on gods and goddesses, and assume that "religion" is co-equal with "the gods."  Eberron, however, is not like that, and takes a much broader view of what religion is and can be.  Depending on how you group them, there are eight different "religions" in Eberron--the Sovereign Host (including the Dark Six), the Church of the Silver Flame, the Blood of Vol, the Cults of the Dragon Below, the Path of Light, the Undying Court, the Keepers of the Past, and the various druidic sects.  Of these, only the Sovereign Host is focused on the gods and worship of the gods.  While the others might recognize the existence of the gods in some general way (especially the Church of the Silver Flame), they are all organized around very different "Ultimate Concerns" than the gods and doing their will.  In some cases (such as the Cults of the Dragon Below and the Undying Court), the focus is on veneration of powerful beings, but beings that are not "gods" in the way that the Sovereign Host are understood as "gods."  For the others, the Ultimate Concern is more in the direction of a philosophical principle or principles, without much reference at all to the gods.

This works in the context of Eberron in large measure because of the nature of the gods of the Sovereign Host, about which more in a bit.  But I think the bigger point is that Eberron provides a more varied set of religious ideas for the players to interact with.  Because the religions of Eberron line up with philosophies or ideas instead of simply "[Blank], the god/goddess of [Blank]," there is more room for players to interact with these structures.  Even some of the darker religions, like the Blood of Vol, can have reasons for non-evil PCs to be a part of them (more on them later).

2.  The Sovereign Host, Epistomology and Hinduism.  In the last post about the religion of Critical Role's Exandria, I talked about the impact that direct access to knowledge of the divine has on the religious structure of a fantasy society.  Eberron is well aware of this dynamic, and goes in the other direction than the one taken by Exandria by closing off this channel of direct knowledge.  You cannot speak directly to the deities of the Sovereign Host, period.  As a result, it is an open question in the setting whether or not the deities of the Sovereign Host really exist at all.

Atheism, in something like the Forgotten Realms, would be a kind of mental disorder.  Going to the wayback machine, during the "Avatar Crisis" in FR, the gods and goddess were walking around, talking to folks, getting into fights, etc.  Saying "I don't believe in Bane" is sort of like saying "I don't believe Donald Trump actually exists"--it's nonsensical.  In Eberron, atheism is a completely valid worldview, as there can never be the sort of direct interaction with a discrete divine entity like "Bane" that you see in the FR.  The most fervent believers in the Sovereign Host never promise that Dol Dorn is going to show up in some tangible form and do things.

Even more interesting is the fact that the theology of the Sovereign Host complicates the entire notion of "believing" in the Sovereign Host.  A key tenet of the Sovereign Host's faith is the "Doctrine of Universal Sovereignty"--"As is the world, so are the gods. As are the gods, so is the world."  In other words, when something is born in the world, it is not simply that Arawai blesses that event, but that it is a manifestation of Arawai.  To a believer in the Sovereign Host, saying that you "don't believe" in Arawai is to say that you "don't believe" in things being born, which they would say (rightly, at least accepting these premises) is nonsensical.  To what extent the distinction between "Arawai" and "things being born" is a "real" distinction, or whether Arawai is simply a personification of the natural function of things being born, probably doesn't matter all that much, including to believers in the Sovereign Host.

On the flip side, the "Doctrine of the Universal Host" states that the different members of the Sovereign Host are, to some degree, different expressions of the unitary principle of the Host itself (one of the formulations is "the Host is the name, the gods are the letters of that name").  This is really interesting on a number of levels, especially as the Sovereign Host has the rival "Dark Six" of evil deities.  Presumably those entities are also a manifestation of this universal principle as well, though, I am not aware of any canon discussion of this point.  This is in keeping with broader themes in Eberron that good and evil are not hermetically separated in the way they are in Tolkein and his somewhat Manichean derivatives.

I hesitate to say this, because I am not deeply familiar with this tradition, but the Sovereign Host religion strikes me as a lot like Hinduism.  Hinduism has a multiplicity of deities, but unlike, say, the Greek pantheon, there is assertion that there is a fundamental unity to these divine principles.  From a game perspective, this allows you to have the simplicity and accessibility of polytheism ("I worship the sun god Dol Arrah"), while having a more interesting and philosophically coherent metaphysics "behind that" if you care about that sort of thing.   

3.  The Catholic Church problem.  D&D, and most of the fantasy genre, draws inspiration from medieval Western Europe.  And medieval Western Europe is incomprehensible without the Roman Catholic Church, the most powerful and most influential single organization in medieval Western European society.  And this is a problem for the fantasy genre, because most of fantasy worlds do not have any institution, let alone a religious institution, that takes the place of the Roman Catholic Church.  They replace the religious dimensions of the RCC with their fantasy religion, which is fine, but that still leaves the social and cultural dimensions of the RCC without any analog.  This leaves something of a "church sized hole" in these quasi-medieval societies.

Now, this can be fixed--Midgard does a good job of hearkening back to pre-Christian religious traditions and models as a baseline for an alternate medieval history.  But one way or the other, it needs to be addressed, and the easiest way to address it is to create a religious institution that fits into a similar social and cultural space as the Roman Catholic Church.  In Eberron, that institution is the Church of the Silver Flame.

Now, I am aware that Eberron inventor Keith Baker has been very insistent that the Church of the Silver Flame is not a Catholic Church expy.  And he's right, in the sense that the beliefs of the Church of the Silver Flame are dissimilar to the beliefs of the Roman Catholic Church (Baker analogizes the CSF to the Jedi Order from Star Wars, and while I'm not sure that totally works, it's closer than the theology of the RCC).  But socially and culturally, the Church of the Silver Flame is a clear RCC equivalent.  For one thing, it has a very tight organizational structure, with a hierarchy of levels of leadership (a hierarchy and levels of leadership that, it should be said, use all of the same terminology as the Roman Catholic Church).  Most people have some sense of what a bishop is, what templars are, etc.  Those things feel very consistent with the medieval-ish fantasy of D&D, but are actually somewhat hard to work into D&D in any logical way without having all of the rest of the monotheistic superstructure that gives rise to those elements.

Fantasy settings tend not to go for full monotheism.  Some of that has to do with a fear of making it too on-the-nose to real world religions and risk offending people.  But I think the bigger problem is a game problem--monotheism is premised on the idea that there is only one divine principle that actually exists, which runs against the idea of lots of antagonist factions with Real Ultimate Power that the heroes need to defeat.  You can make those factions some variation of fallen angels or Satan--that's what Tolkien more or less did for Middle Earth with Morgoth and Sauron.  Or you could go in the dualist direction and have a good god and an evil god.  If you are looking for inspiration there, Zoroastrianism is a real good source to mine, as it is somewhere in between the dualism and fallen angels choices and has all sorts of cool angels and demons from its mythology.

The Church of the Silver Flame avoids this problem by making the object of veneration, the Silver Flame, not a god.  The Silver Flame is a created entity, originally formed from the souls of powerful entities of good, the couatls.  It then takes on a modern form through the effort of a human hero, Tira Miron, who joins with the Flame to trap a demon lord who would destroy the earth.  The result is that, as Baker says, there is basically no similarities between the Church of the Silver Flame and medieval Catholicism in terms of the the content of belief, but there is strong parallelism in terms of the structure.  Both have a singular focus of veneration, both have a central person who is the clear founder of the faith, both have a strong moral narrative that orders the lives of believers.  Because all the "buildings" of medieval Catholicism are still preserved, you can port over stories and conflicts from the real world into Eberron without creating anachronisms and incongruities.  All you have to do is change the stuff inside the buildings.

In other words, the Church of the Silver Flame lets you do monotheism without actually having to do monotheism and take on all of the metaphysical problems monotheism creates for a fantasy adventure world.  It's a brilliant solution to a challenging problem.  I would have said the Church of the Silver Flame is my favorite part of the Eberron religious landscape, but I keeping going back and forth between it and the other side of the coin--the Blood of Vol. 

4.  Let's Talk About the Afterlife and the Blood of Vol.  In the Forgotten Realms, when you die, you go to a purgatorial space called the Fugue Plain, where you will eventually get picked up by your deity and taken to the home of said deity.  Thereafter, you will exist in that space in a manner consistent with your deity and home plane's basic ethos--if you worship a Lawful Good god, you end up in the Lawful Good plane (the Seven Heavens, I think) and have an eternal Lawful Good lifestyle with your Lawful Good patron.

This is fine, and there are some interesting things in there about what happens if you betray your god or are just a lousy worshiper (you soul gets plastered into a wall that protects the city of the dead, and you eventually disintegrate into nothingness).  But, I think it is kinda boring.  And it opens the door to weird sorts of Pascal's Wagers--if I like the idea of frolicking in glades for eternity, it is rational for me to worship the deity whose afterlife is in the frolicking in glades plane.  It makes the afterlife a transactional consumer product, as opposed to an act of faith.

In Eberron, when you die, your soul goes to Dolurrh, the plane of the underworld.  Dolurrh is similar to the underworld described in the Odyssey--a grey place, where you just exist without particular meaning and purpose.  Eventually, you just kinda fade away into nothingness, as you lose any desire to continue to exist.

Now, two things about Dolurrh jump out at me.  First, it provides an excellent explanation for why Raise Dead and Resurrection spells work the way they do according to the D&D rules.  The longer your soul is in Dolurrh, the less "real" you are, and so the harder it is to pull you back.

More importantly, that afterlife sucks.  And everyone in Eberron understands that this outcome sucks.  As a result, many of the religions of Eberron explicitly react to this basic, objective fact that the afterlife is terrible.  In the Silver Flame faith, the idea is that after you fade away, some measure of your vital essence is incorporated into the Silver Flame, and so you live on in a de-personalized way, strengthening the great project.  One of the two major religious traditions of the elves preserves ancestors (or, at least, important ancestors) in an essentially undead state so that they don't have to go to Dolurrh.

But, the best reaction to the reality of death in Eberron is the Blood of Vol.  The Blood of Vol teaches that there is divinity within you, waiting to be unlocked.  This divinity allows you to transcend and skip Dolurrh, if only you follow the teachings of the faith.  In light of the nature of Dolurrh, this is seems a pretty attractive possibility, and it makes complete sense to me why people in-universe would be attracted to the faith.  Now, the catch is that the Blood of Vol is actually run by a cabal of intelligent undead.  And the mysterious leader of the Blood of Vol is trying to make herself un-undead in order to harness her massive dormant powers.  But, even here, the faith has a logical explanation--becoming an intelligent undead, while dooming yourself to a pale shadow of the divinity possible under the faith, is still way better than Dolurrh.  Those intelligent undead, according to Blood of Vol teachings, are martyrs who have voluntarily sacrificed potential transcendence in order to guide and help the rest of the faithful.

Make no mistake, the Blood of Vol is very clearly a "bad guy" religion.  But it is a bad guy religion that has a pitch that seems utterly plausible, even relatively compelling, in light of how lousy Dolurrh is.  It seems to me completely logical why someone might sign up for the Blood of Vol, and even accept the idea that the head of your congregation is a vampire ("I admire so much that Count Dracula was willing to take on the burden of undeath to lead and teach all of us.  Poor guy.  I'm glad to offer him some of my blood as a token of my appreciation.")  While most "bad guy" fantasy religions struggle to explain why anyone would follow them other than for naked power opportunities, it makes perfect sense why regular, non-megalomaniacal people would be devoted followers of the Blood of Vol.  And, because that's true, it creates interesting moral and ethical challenges--sure, the vampire boss is a clear black hat, but his minions are just folks looking for something to believe in that will save them from a slow fading away after death.

The fact that, at the end of the day, it's a scam doesn't undermine this complexity and nuance.  Indeed, the Blood of Vol reminds me very much of a certain real world religion that has itself been accused of being a scam, which I shall not name due to its noted litigious nature.  And, as demonstrated by the significant numbers of people who are part of that faith, the fact that you might be a scam doesn't stop people from believing in your teachings.

*****
So, bottom line--Eberron's religious system is awesome, by far the best and most interesting of the official D&D settings.  It has great conceptual diversity, it smartly addresses some of the pitfalls of trying to match up the medieval source material and D&D-isms, and it provides interesting, "gameable" ideas for using religion in the campaign.  There is lots of other good stuff about Eberron, but its take on religion is the highlight for me.

Friday, November 8, 2019

Fantasy Religions Primer, Part I--The Religion of Critical Role

The great Matt Colville had a stream a while back in which he designed (or began to design) a pantheon of deities for his campaign setting, which got me thinking about fantasy religions and what makes them good or not.  So I'm going to give more thoughts about that in this post, but before I get into that, I want to begin with how Colville began his stream.  Colville made the claim that you don't actually need a fully developed pantheon of deities or a complex religious system for a fantasy game, especially D&D or one of its variants.  After all, the game mechanical component for clerics is a set of wholly abstract "domains"--all you really need to do as a cleric is select the "Light" domain, and you never have to worry about the gods or worship or whatever (that's exactly how 13th Age tells you to handle it, by the way).

Colville is 100% right.  If fantasy religions are not something that the DM/GM is interested in, it can be completely hand-waived away.  There are a ton of things that are just hand-waived in fantasy worlds--here's a great series on all of the problems of D&D economies, for example--and it can absolutely be done with religion, as 13th Age proves.  Or, in some cases an even easier solution than hand-waving is to just pick something "off the shelf" and stick it in the campaign.  That's what Matt Mercer did when designing his campaign world for Critical Role--all the gods are from the 4e default pantheon, plus Sarenrae from Pathfinder/Golarion (I noticed he got rid of the proper names for those gods and goddesses in the Tal'Dorei campaign book, presumably for copyright reasons, but I have to say I like the titles they came up with better than the original names).  The fact that Mercer didn't come up with the Raven Queen didn't in any way lessen the storytelling he was able to do around the Raven Queen.  World builders, especially folks starting out, can easily get into the trap of thinking they have to build everything from scratch, making the task seem overwhelming.  Instead, I think the way to go is to work on what is interesting to you and then just borrow the rest from someplace else, or just ignore it and move on.

So, you don't need to think deeply about fantasy religions and how they would function.  But some people are really into religions as an aspect of world building, and I am one of those people.  When I am not writing about D&D, I am writing about real-world religious issues, and faith is a big part of my life, so it is not surprising that this is an area of interest for me.  When I get a chance to play (as opposed to running the game, which is most of the time), I tend to play clerics or paladins, and I am one of those players who does care about the temple rituals and mechanics of the fictional faith, not just the domain and cool powers my character gets.  And while Colville is right that much of the world building surrounding religion is really for the benefit of the world builder and not the players/the game, you should do the things that are fun for you, and fun for me is thinking about how to make the fantasy religion seem as "real" as possible.

So, this series is going to take a look at fantasy religions, how they work, and some things to think about when you are designing a fantasy religion or implementing a pre-existing one into a campaign.  To make things a little more comprehensible, I'm going to focus on five fantasy religions as exemplars--the religious system of Exandria as described by Matt Mercer in Critical Role, the "Faerunian pantheon" for the Forgotten Realms (set forth, most recently, in The Sword Coast Adventurer's Guide) and the religions of Eberron, both by Wizards of the Coast; the gods and religions of Midgard by Kobold Press; and the OG of religious presentation, Glorantha.  I could have picked others, either inside or outside of the greater D&D sphere, but I went with those because the Forgotten Realms is the default campaign world for D&D 5e, and thus the Faerunian pantheon is the default religious system for people playing the most popular tabletop RPG, Critical Role is the most public vehicle for D&D and shows how religions can be used in the context of actual game play, and the other three are, in my judgment, particularly interesting and/or outstanding implementations of fantasy religions.

But, to begin, I want to talk about Critical Role and how Mercer uses gods and religion in his world.  Note that I'm going to try to avoid spoilers as much as possible, but some of these discussions require some generalize spoilers of broad show themes.  I am also far, far behind on Season Two of Critical Role, so if Mercer has changed things up in his presentation of religion, I will likely miss all of that--this is primarily coming from Season One.

As mentioned above, Mercer borrowed the "Dawn War" pantheon from 4e and dropped them into Exandria.  The Dawn War pantheon itself is a mix of deities from previous D&D sources (Moradin, Corellon, Pelor, Bane, Lolth, etc.) with a handful of new entities to fill gaps (like the Raven Queen).  The Dawn War gods and goddesses are perfectly serviceable on their own, but ultimately they are just names on a piece of paper.  What is interesting about the Exandria deities is how they fit into the world and how religion functions for people in the context of the world.

The general presentation is that each deity is worshiped in the context of its own, more or less self-contained religion.  Pike, as a cleric of The Everlight (Sarenrae), is part of a church of the Everlight that is dedicated only to the Everlight.  Pike's religion is different from the religion of Lady Kima, who is part of the Church of the Platinum Dragon (Bahamut), with different rituals, edicts, organizational structure, etc.  Now, because the ethos of the Everlight and the ethos of the Platinum Dragon are similar, or at least not in direct conflict most of the time, these two religious institutions can cooperate and co-exist, as we see in a place like Vassalheim.  This is because, in part, it seems pretty clear that the members of the Church of the Everlight accept the idea that the Platinum Dragon exists as a separate divine entity, and visa versa.  Some folks are on Team Everlight, and some folks are on Team Platinum Dragon, and while I would imagine that folks on Team Everlight would prefer that more folks got on board with Team Everlight, the existence of folks worshiping the Platinum Dragon does not raise any internal theological problems for the Church of Everlight.  Likewise, while the worshipers of the Betrayer Gods are bad and opposed by the Church of the Everlight, everyone accepts that the Betrayer Gods actually exist, and are broadly speaking peers to entities like the Everlight in terms of power and scope.

The usual critique raised with a set-up like this is that it doesn't reflect how polytheism functioned in actual historical cultures, and that's true.  But Exandria's religious system as portrayed in the show is not polytheism.  The closest real world technical term is "henotheism," though even there Exandria's system doesn't perfectly line up with the real-world examples usually offered for henotheism because many of those examples (Hinduism of the Vedas, for example) teach that all of the different gods are ultimately different manifestations of the same unitary principle (whereas, again, it seems pretty clear that the Everlight and the Platinum Dragon are "objectively" different entities).  Actually the closest, if controversial, parallel to Exandria's religion is the way pre-exilic Judaism talks about the God of Israel.  If you read the Book of Exodus without the later, definitively monotheist pre-suppositions of later Judaism, the most neutral interpretation is that the God of Israel is a particular deity for a discrete group of people, one who is better and more awesome than the gods of Egypt, but that the gods of Egypt are real entities with real power.  Exandria's deities lack the hard-edged exclusivism of the God of Israel of Exodus (at least, in general), but the concept is basically the same.

So, there are some parallels to what Mercer is doing to the real world.  But, much more to the point, this system makes a great deal of sense as a fantasy religious system for a D&D game, both from the point of view of the logic of people in the fictional world and logic from a meta-game perspective of real people sitting down to a table to play D&D.

From the meta-game perspective, the primary advantage is that religion in Exandria more or less works the way religion works in the real world now, or at least in the broadly pluralistic West.  If you live in the 21st Century West, you are familiar with a religious framework in which people are members of one of a set of discrete religions, each of which has a singular focus of worship, doctrine, organizational structure, and ethos.  Notwithstanding the real distinctions between those religions, by and large they are able to co-exist and work together around broadly similar goals--Episcopalians and Presbyterians and Jews go to different houses of worship, but otherwise generally get along fine and have at least compatible world-views.  That sociology of religion is the result of a complex series of ideas and events, all of which entirely anachronistic if projected back onto a quasi-medieval or quasi-ancient world.  But, so what?  It's familiar to the people sitting down to play the game, and doesn't require them to take onboard anything about how actual religions work in the real world outside of their generalized experience.  And if the DM and the players don't really care all that much about religious questions all that much anyway, then you are not adding any unnecessary mental work to anyone.

But there is also in-game logic to this system.  First, the Dawn War pantheon is particularly well-suited for this sort of set up, because the different gods and goddesses are both broadly defined and somewhat overlapping.  In doing so, it avoids the problem of explaining why non-adventurers would ever be members of a particular god's church.  Consider the deity Bane as portrayed in the Forgotten Realms campaign setting.  Bane is the god of tyranny and hatred, and (at least at one point--I'm not up on current Realms canon) was the exclusive religion of the city of Zhentil Keep.  Now, clerics of Bane make perfect sense, both from an in-world sense and from a story sense, as they are part of a powerful organization that believes it should rule everything in the name of a god who should rule everything.  But imagine being a shopkeeper living in Zhentil Keep--how does worshiping Bane benefit you or impact your life?  You could imagine buying into a kind of quasi-nationalism or manifest destiny idea--we are going to rule everything in the name of our god, and I am part of that larger struggle.  But manifest destiny doesn't put food on the table or insure that childbirth will be safe or any of the other real-world tasks that occupy the bulk of people's lives.  If the religion of Bane is only about tyranny and hatred, it doesn't really speak much to the day-to-day experience of an ordinary person.  And if ordinary people would never join your church, then it isn't much of a church.  These narrow faiths work better as cults, consisting of only dedicated elite worshipers.

By contrast, the non-Betrayer Gods in Exandria mostly cover a wide set of abstract ideas.  The Platinum Dragon is about justice and a certain vision of order and stability; so is Erathis the Lawbearer, and Moradin the Allhammer.  Those visions are probably different, but all of them could be the basis for a vision of society and social order, and so you could imagine any of them being a respectable religion for the Exandrian equivalent of the dutiful, upwardly mobile bourgeoisie.  Likewise, farmers might follow the Dawnfather or the Wildmother or maybe even the Archeart.  The only rather narrow portfolio among the Prime Deities is the Raven Queen, and even there life and death is fundamental to the experience and world view of people, so it would have broad applicability.  The point is that these religions are broad enough to encompass regular people doing regular things, and thus they make sense for regular people to belong to.  And the evil Betrayer Gods like Bane are more like cults, which makes sense in light of their more narrow focuses.  Many folks will not care about any of this, but to me this adds verisimilitude to the setting--a place where people live, as opposed to simply a platform for adventurers.

The other reason this structure makes sense in the context of a D&D campaign setting is that it takes into account the radically different religious epistomology of a fantasy world.  All real world religions must grapple with limitations on knowledge of the divine--how do we know about God/the gods?  In a D&D world, this complex question becomes much simpler, because you can just ask the gods direct questions and have at least the possibility of getting direct answers.  The level of mystery surrounding divine things is radically reduced, at least so long as you retain the default D&D assumptions about things like planar travel, spells like Contact Other Plane, and the like (which is why, as we will see, Eberron and Midgard both charge those default assumptions in order to preserve the elements of mystery).

Sure, the gods seem to intentionally give limited or incomplete information to worshipers--the folks on Lady Kima's team that went into Kraghammer probably would have benefited from more detailed intelligence from the Platinum Dragon beforehand.  But the fact that you can go to the gods and ask them questions suggests that religions in such a world will have more concrete, consistent information about the nature of the gods.  If there was some church somewhere that taught that the Everlight and the Platinum Dragon were actually the same entity, Pike could definitively clear up the matter directly with the Everlight when she spoke to her on the Island of Renewal.  Splinter movements, doctrinal drift, schisms, heresies--all of those things that are common in real-world religions would be much, much less common in a world where powerful religious leaders can just submit disputed questions directly to the source.

Likewise, being a low or mid-level cleric in Exandria (or any other fantasy world where you can talk to the gods directly) is much more like working for the government than it is being a part of the religion as we know it.  If you are a mid-level official in the bureaucracy, you are not directly communicating with the President on a daily basis, but you know that it is possible to ask the leader a question and get a concrete direct answer, even if you must do so through proxies.  In fact, in D&D worlds like Exandria, it is actually easier to do that than it would be in the real world, as the deity can functionally see everything that is going on and talk to multiple people at once.  So, you don't necessarily need to go "up the chain of command" to get your answer, and it would be much harder for the "telephone game" problem to crop up (someone accidentally or intentionally distorting the message that gets passed down from the leader).

This means, in turn, that religions would be much more consistent from place to place and culture to culture.  It makes sense that the worship of the Prime Deities is more or less the same across continents, especially where you have one central locus of religious worship and authority that has endured and maintained continuity from when the gods walked the land, Vassalheim.  But, again, Vassalheim displays a relationship between the gods that is more like the World Council of Churches than like a classic polytheistic pantheon--an alliance of essentially independent organizations as opposed to an interconnected and inter-related set of cults.  This center of gravity for religious practice would reduce cultural differences and drift, because there would be a singular, "objective" reference point for the proper way to follow the Everlight, the Platinum Dragon, et al. 

The bottom line is I think Critical Role's presentation of religion is one of the most sensible and "realistic" presentations of fantasy religion assuming you are working from all of the baseline D&D assumptions.  "Fantasy World Council of Churches" is probably what you would end up getting if the gods were directly accessible, you had an array of multi-cultural, semi-overlapping deities, and long-term continuity of practice and worship.  If you are looking for a model for how to run religion in a campaign world that uses all of the D&D-isms, particularly if you and your players don't want to invest much time or mental bandwidth in the religious system, what Mercer has done is a great place to begin.  It's a great example of "leaning in" to the rules material in building your setting, as opposed to trying to jam a historic model into a fantasy world.

Sunday, November 3, 2019

40 Characters Before 2020, #3--Star Trek Adventures

Like our previous game, Star Trek Adventures is a Modiphius joint.  Also like Conan: Adventures in an Age Undreamed Of, it features a lifepath system that allows for more-or-less full random generation, which is what we are going to do here.  As you might expect, Star Trek Adventures is about making Starfleet Officers to boldly go, etc.

The primary choice that you need to make up front is what era you are going to go with--the Star Trek: Enterprise era, the Original Series, or the Next Generation.  Next Generation provides the most options in terms of species, so let's go with that.

Step One:  Species.  Pretty much what it says on the tin.  I rolled a 6, which gives me a Betazoid (i.e. Counselor Troi's people).

Species provides +1 to three Attributes, out of the six of Daring (both bravery and fast-twitch reactions), Control (concentration and willpower, but also fine coordination), Fitness, Presence, Insight (intuition and problem solving), and Reason.  In the case of a Betazoid, you get +1 to Insight, Presence, and Reason.  Since the Attributes start a 7, this gives me:

  • Daring 7, Control 7, Fitness 7, Presence 8, Insight 8, Reason 8
I also add the "Betazoid" trait, which basically just means that the GM is within his or her rights to impose penalties or bonuses for Betazoid-related things (like if I am trying to lie).  I also get one Talent, which I can take from the general list or from the species-specific list.  For Betazoids, I have to put one Talent into either Empath or Telepath, so I might as well use it now to pick Telepath.

Step Two:  Environment.  This is the kind of planet or location that your character grew up on.  My d6 roll was a 2, for "Busy Colony World," and the idea here is that it is an old and well established colony world, inhabited for hundreds of years.  I didn't know the Betazoids had colonies, but, sure.

The first thing you pick is a "Value," which is a statement of personal belief.  Values are one of the best parts of Star Trek Adventures, in that they create strong game mechanic hooks for the kinds of moral and ethical conflicts that are the heart of Star Trek.  Here, I'm going to with "There's More to Betazoids than Just Talking"--I'm thinking that Elias VI (my "busy colony" that I just made up) is a harsher world than the tranquil Betazed, and so has produced more assertive, action oriented folks than the ones living on Betazed.  Think of it as the "rednecks" of Betazoid society.

In addition, I get a +1 to either Daring or Presence, and I think Daring is the obvious choice here.  I also get +1 to one of three Disciplines.  Disciplines are the equivalent of skills, and line up with the six divisions of Starfleet--Command, Conn, Security, Engineering, Science, and Medicine.  They also all begin at one.  My three choices for the bonus are Command, Security, and Science.  I was tempted to pick Security here, but I think I am going to go with Command as a reflection of the assertive people of Elias VI.  Taking all that, we have:

  • Daring 8, Control 7, Fitness 7, Presence 8, Insight 8, Reason 8
  • Command 2, Conn 1, Security 1, Engineering 1, Science 1, Medicine 1
Step Three: Upbringing.  This is what your parents/family did growing up, and how your character reacted to that.  Once again I rolled a 2, which gives me "Business and Trade."  I'm thinking that Elias VI has significant resources of key materials like dilithium, which is why the Betazoids are there.  The family was in the dilithium trade, shipping it from Elias VI all over the Federation

For each upbringing, you can choose to accept it or reject it, and that choice affects the attribute bonuses you get.  I'm kinda indifferent between the two, but I like the bonuses for accepting better (+1 Daring and +2 Presence), so I'm going to go with that.  I also get +1 to either Command, Engineering, or Science, and I'll go with Science (gotta know how the product you are selling works).  I also get a Focus, which is an open-ended specialty.  Looking at the suggested list in the book, Geology is the obvious choice for dilithium miners and traders.  I also get one Talent, and I am going to go with Dauntless (add a bonus die to tests to avoid being intimidated or threatened), which seems in character.  This gives us:
  • Daring 9, Control 7, Fitness 7, Presence 10, Insight 8, Reason 8
  • Command 2, Conn 1, Security 1, Engineering 1, Science 2, Medicine 1
Step Four: Starfleet Academy.  As much fun as it sounds to travel the galaxy selling dilithium, that wasn't enough adventure for our redneck Betazoid, and he signed up for Starfleet Academy.  The key decision point here is which track you go on--Command Division, Operations Division, or Sciences Division.  I rolled a 4, for Operations Division.  I'm thinking the idea of the "fightin' Betazoid" sounds fun, so our guy gravitated to the Security branch.

I get a Value from my time at the Academy.  I think I'm going to go with "Humans are Kindred Spirits"--after being told all his life he was impulsive and hot-headed by the reserved Betazoids, our guy found he fit in perfectly with his human classmates, and formed a bond with humanity.

I also get three points to spread around my Attributes, and I think I am going to put +1 into each of the physical attributes.  I also get +2 to my Discipline "major" (here, Security), and +1 to two others.  I think I'll put 1 in Command and 1 in Medicine.  Finally, I get three focuses.  I'm going to go with Hand-to-Hand Combat, Interrogation (being a Telepath surely helps in that regard), and Survival.  Finally, I get one Talent, and I am going to go with "Quick to Action," which essentially allows any of the PCs to go before any NPC in the first round of combat without cost.  This gives us:
  • Daring 10, Control 8, Fitness 8, Presence 10, Insight 8, Reason 8
  • Command 3, Conn 1, Security 3, Engineering 1, Science 2, Medicine 2
Step Five: Career.  Here, the options are basically a newbie "Young Officer," a veteran officer, or something middle of the road.  I think newbie feels like the right choice here.

This adds another Value that has something to do with being young, so I'm going to go with "Bold Action is Often the Best Plan."  I also get the "Untapped Potential" Talent, which caps my Attributes at 11 and my Disciplines at 4, but allows for bonus Momentum (and/or additional Threat) on checks where Momentum or Threat are used.  Basically, when you go for broke, you get really spectacular (in a mostly good, with a risk of bad) results.

Step Six: Career Events.  You roll twice on the Career Event table to determine what has happened to your character on active duty with Starfleet.  I rolled an 8 "Conflict with a Hostile Culture" and 12 "Betrayed Ideals for a Superior."  For Conflict with a Hostile Culture, the obvious choice is the Cardassians, fighting out the last parts of the conflict before the treaty and the rise of the Maquis.  That provides +1 to Fitness, +1 to Security (now capped out at 4), and a Focus, which we'll go with Shipboard Tactical Systems.  "Betrayed Ideals for a Superior" is a little more dramatic in presentation than the description in the text--it's more like "your superior wanted to do something one way, you wanted to do it another way, and you went with your superior."  I'm going to say I served under a Vulcan Captain, T'Karra, and he tempered some of my character's recklessness.  I get +1 to Presence (capping it out), +1 to Command (capping it out as well), and a Focus, which we'll go with "Composure."  This leaves us with:
  • Daring 10, Control 8, Fitness 9, Presence 11, Insight 8, Reason 8
  • Command 4, Conn 1, Security 4, Engineering 1, Science 2, Medicine 2
Step Seven:  Finishing Touches.  First, I get one more Value.  Given my mentorship from Captain T'Karra, I'm going to add "It Never Hurts to Listen to What People Have To Say."  I also get two points to add to Attributes and two points to add to Disciplines.  I think I'm going to add +1 to Control (which is tied to phaser combat, so that's helpful), along with +1 to Insight to round out the character.  On the Discipline side, I want to round out my character a bit, so I'm going to add +1 to Conn and +1 to Engineering.  My final Attributes and Disciplines are:
  • Daring 10, Control 9, Fitness 9, Presence 11, Insight 9, Reason 8
  • Command 4, Conn 2, Security 4, Engineering 2, Science 2, Medicine 2
Derived stats time!  Stress, the Star Trek Adventures equivalent of HP, is equal to Fitness+Security, or 13.  Damage bonus is equal to Security, or 4 extra dice (Security would be the God stat if Star Trek Adventures was all about personal combat, which it is not).  Department, rank, and role are supposed to be determined by the player group, but since there is no player group, I'm going to say that my rank is Lt. J.G. (the highest rank I can have as a Young Officer), and I am the acting Chief of Security.

Finally, a name.  Looking at the samples, provided, I'm going to go with "Rennan Grax."  Lt. J.G. Rennan Grax, acting Chief of Security, the daring, charismatic, impulsive Betazoid redneck.  Full character sheet:

Lt. J.G. Rennan Grax
Role:  Chief of Security (Acting)
Species:  Betazoid
Homeworld:  Elias VI

Attributes: Daring 10, Control 9, Fitness 9, Presence 11, Insight 9, Reason 8
Disciplines: Command 4, Conn 2, Security 4, Engineering 2, Science 2, Medicine 2
Focuses:  Geology, Hand-to-Hand Combat, Interrogation, Survival, Shipboard Tactical Systems, Composure
Talents:  Telepath, Dauntless, Quick to Action, Untapped Potential
Values:  "There's More to Betazoids than Just Talking," "Humans are Kindred Spirits," "Bold Action is Often the Best Plan," "It Never Hurts to Listen to What People Have To Say"

Stress:  13
Damage Bonus:  4 dice

Friday, November 1, 2019

40 Characters before 2020, #2--Conan, Adventures in an Age Undreamed Of

So, 13th Age in Glorantha is next on the list, but I've had a really rough day today and so I am going to audible to Conan: Adventures in an Age Undreamed Of by Modiphius Entertainment.  I stayed away from Modiphius's stuff until very recently, on the assumption that (1) they basically do exclusively licensed products, and licensed RPGs are usually bad, and (2) they use a house system, which when combined with licensed products is a particularly strong warning sign.  But I was completely wrong--Modiphius's 2d20 system in general, and Conan and Star Trek Adventures are great, and I have become a big Modiphius fan of late.  I am probably going to write reviews of both games, but for purposes of this particular post the real benefit of both games is that they favor a random lifepath generation system, which is about the maximum I can handle tonight.

So, Conan, swords and sorcery.  We are on even number posts, so this character is a woman. Let's go.

Step One:  HomelandConan is all about the Hyborian Age of the Howard stories, so the first step is to determine which of the Hyborian kingdoms and lands you character is from.  Rolling 2d20, I get a 19--Argos, which is a Greece-expy.  Argos gives my character a Talent--Sea Raider, which reduces the difficulty of Sailing and swimming tests in home waters by one.  I also speak the "Argossean" language.

Step Two:  Attributes.  Conan has seven attributes--Agility, Awareness (i.e. perception), Brawn, Coordination, Intelligence, Personality, and Willpower.  All attributes start at 7, and are modified by two "attribute aspects."  Rolling randomly, I get a 3 ("Acute and Aware") and 15 ("Dexterous")--I think I'm heading toward some kind of spy/thief/scout type.

Each attribute aspect provides two "mandatory attributes," and between the two aspects, one attribute gets boosted by +3, one by +1, and the rest by +2.  So, "Acute and Aware" has Awareness and Intelligence, and "Dexterous" has Agility and Coordination.  I'm going to make Awareness my +3 and Intelligence my +1, leaving Agility and Coordination at +2.  Each aspect also provides two optional attributes, and one of those gets a +1.  "Acute and Aware" has Agility and Coordination, and "Dexterous" has Brawn and Willpower.  I'm going to go with Agility for the first and Willpower for the second.  This results in the following ability scores:

  • Agility-10; Awareness-10; Brawn-7; Coordination-9; Intelligence-8; Personality-7; Willpower-8.
Step Three: Caste.  Caste provided two Talents, a +1 Expertise and Focus to a Skill (Expertise is the normal skill level, Focus is the number you have to roll under [low rolls are good in 2d20] to get a bonus success), a starting social standing, and determines which table you roll on for the next step.

I rolled a 6, for "Farmer."  That gives me the Homesteader (reduce the Difficulty of Survival checks in Argos by one) and Subject (when in Argos, reduce the Upkeep [i.e. the money I have to pay in between adventures] by one) Talents.  I also get +1/+1 to the Animal Handling Skill.  Finally, I get a Social Standing of 1.

Step Four:  Story.  As a Farmer, I roll on the Farmer Stories table for what happened to my young farm girl in her earlier years.  I rolled a 14 for "Meager Soup and Angry Eyes"--basically things were lousy, life in the village was tense and unpleasant, I made enemies by poaching/stealing extra food.  Pretty good reason to leave and become an adventurer, I think.

This also provides a Trait, in this case "Traitor," which can be used as a key to recover Fortune Points.

Step Five:  Archetype.  This is basically the loose equivalent of character class.  I rolled a 19, and got "witch/shaman."  Hmmm, maybe the villagers got mad because I turned to "forbidden techniques" to feed my family, or were jealous of my powers.  I like that.

Archetype provides a +2/+2 in a "career skill" (Persuade in this case), a Career Talent for that skill (Force of Presence--one extra die of damage on mental attacks, which is a big (and cool) part of Conan), +1/+1 to four other skills (Alchemy, Counsel, Healing, and Lore), +1/+1 to two of three pre-selected skills (I'll go with Sorcery and Thievery, as opposed to more Animal Handling), and a bunch of gear (a knife, a leather jacket, an alchemist bag, a healer bag, a library, and a horse or donkey).  Taking all of that together, my skills are now:
  • Thievery-+1/+1, Alchemy +1/+1, Healing +1/+1, Lore +1/+1, Animal Handling +1/+1, Counsel +1/+1, Persuade +2/+2, Sorcery +1/+1
Step Six: Nature.  Nature is your core personality type.  I rolled a 1, for "Cautious," which fits in with what I thinking about with her so far--it's not paranoia if her neighbors really are out to get her.

Cautious provides +1 to Willpower, +1/+1 to Lore, Parry, and Stealth, +1/+1 to two others (I'll go Animal Handling and Sailing, as opposed to Athletics), and a Talent with one of the above Skills.  I'm going to go with the "Living Shadow" talent for Stealth, that grants bonus Momentum (a currency generated by successful tests) on Stealth tests when trying to remain unseen. 

Attributes and Skills are now:
  • Agility-10; Awareness-10; Brawn-7; Coordination-9; Intelligence-8; Personality-7; Willpower-9.
  • Stealth +1/+1, Thievery-+1/+1, Parry +1/+1, Sailing +1/+1, Alchemy +1/+1, Healing +1/+1, Lore +2/+2, Animal Handling +2/+2, Counsel +1/+1, Persuade +2/+2, Sorcery +1/+1
Step Seven: Education.  The name here is pretty self-explanatory--how you learned what you learned.  I rolled a 10, for "Family Footsteps."  Witch-ing is a familiar affair, and I learned what I learned from mom, before the village turned on us (and killed mom?  Maybe).

Family Footsteps provide +1/+1 to Discipline, Resistance, and my career skill (Persaude).  It also provides +1/+1 to two of three Skills (here I'll do Society and Survival, as opposed to more Animal Handling).  I also get a Talent for one of those Skills, and I'm going to go for Courageous for Discipline, which lets me re-roll one die on a Discipline test, and gives me one point of Courage Soak (basically mental armor).  Since I am going to be dealing with magic and stuff, having that Soak seems useful.  I also get a family trinket, and I will go with a necklace with a wooden charm carved by my mother.  

So, the new Skills are:
  • Stealth +1/+1, Survival +1/+1, Thievery-+1/+1, Resistance +1/+1, Parry +1/+1, Sailing +1/+1, Alchemy +1/+1, Healing +1/+1, Lore +2/+2, Animal Handling +2/+2, Counsel +1/+1, Persuade +3/+3, Society +1/+1, Discipline +1/+1, Sorcery +1/+1

Step Eight:  War Story.  War Story is an encounter with danger or conflict that set your adventurer on her way.  I rolled an 11 for "Shipwrecked."  Maybe we were trying to flee our village and their bigotry, and our boat ran aground--geez, our lady can't catch a break.  Anyway, that adds +1/+1 to Athletics and Sailing, giving a skill list of:

  • Stealth +1/+1, Survival +1/+1, Thievery +1/+1, Athletics +1/+1, Resistance +1/+1, Parry +1/+1, Sailing +2/+2, Alchemy +1/+1, Healing +1/+1, Lore +2/+2, Animal Handling +2/+2, Counsel +1/+1, Persuade +3/+3, Society +1/+1, Discipline +1/+1, Sorcery +1/+1
Step Nine:  Finishing Touches.  First, you get to add two points to attributes.  I'm tempted to put both in Personality to really help my Persuade (which is tied to Personality), but I think I am going to go with 1 in Personality and 1 for Intelligence to help out with Alchemy and Healing.  This results in:
  • Agility-10; Awareness-10; Brawn-7; Coordination-9; Intelligence-9; Personality-8; Willpower-9.
You also get three points to Skills.  I would think she needs at least one weapon skill, but I have a way around that, so I'm going to go with +1/+1 to Acrobatics to give some defense against ranged attacks.  I could go all-in on Sorcery and trade in a bunch of those talents for spells, but I think instead I'm going to be a "white witch" and focus on Alchemy, I'm going to add the other two to Alchemy.  Final skills:
  • Acrobatics +1/+1, Stealth +1/+1, Survival +1/+1, Thievery +1/+1, Athletics +1/+1, Resistance +1/+1, Parry +1/+1, Sailing +2/+2, Alchemy +3/+3, Healing +1/+1, Lore +2/+2, Animal Handling +2/+2, Counsel +1/+1, Persuade +3/+3, Society +1/+1, Discipline +1/+1, Sorcery +1/+1.
I get a bonus talent, and I am going to go with Alchemist, which lets me re-roll one d20 on every Alchemist test, and lets me use Alchemy as the attack skill when using alchemical weapons.  Bombs away!

Finally, I get a bonus language (I'll go with Aquilonian, Conan's once and future kingdom).  I also get a personal belonging (17--a necklace of animal teeth and bones), a garment (9--"furs and pelts with threads of a quality befitting your station"), two weapons ("a broad-headed axe. . . ripped from the hand of a brigand you slew" and "a whip . . .decorated with polished stones").  

Step Ten:  Final Calculations.  Vigor and Resolve are sort of like physical and mental HP, respectively.  Vigor is Brawn+Resistance (for 8); Resolve is Willpower+Discipline (for 10).  My starting Gold is equal to Personality+Society (for 9).  

I also get a Melee damage bonus of 0 (because my Brawn is less than 9), a Ranged damage bonus of 2 dice (for an Awareness of 10) and a Mental damage bonus of 0 (for the 8 Personality).  

Now I need a name, an age, and a personality, and an appearance.  Since she is from the Greece-equivalent, I think I am going to go with Cassandra, a name I have always liked.  I think Cassandra is young, but has seen some shit, so I'll go with 20.  Looks-wise, I'm going to go Greek-inspired, very dark hair and eyes, on the short side (maybe 5'2" or so), with long hair that often covers her face to make her look a little mysterious.

Personality-wise, Cassandra is basically good-hearted, but is also a hustler, and a suspicious person as a result of her rough early experiences.  She's a charmer, or wants to be, but is a little too eager and too blunt to be a full-on con artist.  Despite her propensity for schemes, she really does know a ton about herbs and potions and charms, and has a wicked aim with her more damaging concoctions.  

Final Cassandra Character Sheet
Name:  Cassandra
Age: 20
Appearance:  Dark, long hair (often in her face), dark eyes, short
Personality:  Suspicious, charming but intense, a hustler
Archetype:  Witch
Homeland: Argos
Trait:  Traitor

Agility:  10, Acrobatics +1/+1, Stealth +1/+1
Awareness: 10,  Survival +1/+1, Thievery +1/+1
Brawn: 7, Athletics +1/+1, Resistance +1/+1
Coordination: 9, Parry +1/+1, Sailing +2/+2, 
Intelligence: 9, Alchemy +3/+3, Healing +1/+1, Lore +2/+2
Personality: 8, Animal Handling +2/+2, Counsel +1/+1, Persuade +3/+3, Society +1/+1 
Willpower: 9, Discipline +1/+1, Sorcery +1/+1

Talents:  Sea Raider, Homesteader, Subject, Force of Presence, Living Shadow, Courageous, Alchemist
Languages:  Argossean, Aquilonia
Vigor: 8
Resolve: 10
Soak: Armor 1 (Leather Jacket; Torso/Arms), Courage 1
Bonus Damage: Melee 0, Ranged 2, Mental 0
Fortune Points: 3
Gold: 9



Wednesday, October 30, 2019

40 Characters Before 2020, #1--13th Age

We start off with one of my favorites--13th Age, but Jonathan Tweet, Rob Heinsoo, and published by Pelgrane Press.  For the rules of this exercise, see here.  Let's go.

Step 1:  Pick a Race.  One of my favorite elements of 13th Age is what they do with the Dark Elves/Drow in the 13th Age Bestiary, so that's what we are going to go with.  Races in 13th Age get a +2 to one of two pre-selected ability scores, and a racial power--in the case of Dark Elves a +2 to either Dex or Cha, and the "Cruel" power, which lets you impose ongoing damage (5xLevel) on a natural even attack roll once per battle.

Step 2:  Pick a Class.  Torn between the Sorcerer and the Rogue.  If I could use the multi-classing rules, I might do both, but that's in the expansion 13 True Ways, and so out.  I think I'll go with Rogue, only because I usually play spellcasters (when I get to play) and so I want to go against type.  Because I am playing Rogue, I will retroactively assign my racial bonus to Dex.

Step 3:  Generate Ability Scores.  The game has two options here--4d6 drop lowest and point buy--that are each endorsed by one of the designers.  Point buy is boring, so let's roll:
  • 17, 6, 13, 10, 14, 12
Not that great, but no big deal.  Applying them to the Attributes leads to:
  • STR: 6 (-2), CON: 10 (0), DEX: 19 (+4), INT: 13 (+1), WIS: 12 (+1), CHA: 14 (+2)
Here, I am doing a little bit of min-maxing, as I know my attacks (both melee and ranged) key of Dex, so my low Strength is basically irrelevant (except for my Physical Defense--see below).  I know, I know--I'm that guy.

Step 4: Combat Stats.  There are essentially all class-based.  First, the basic melee and ranged attacks are Dex bonus plus level, and damage of WEAPON plus Dex.  Speaking of WEAPON, I'm going to use the one-handed weapon, so the right choice is a Light Weapon for 1d8+4 damage, and then a throwing dagger (because of a Rogue Power I am picking, see below) 1d4+4 ranged damage.  I also get a +2 to either Dex or Cha, but since you can't put the bonus into the attribute you added the racial bonus, my Cha is bumped to 16.  My AC is 12 plus level (1) plus the middle bonus for Dex/Con/Wis, which for me is Wis (+1), for a total of 14.  Physical Defense is 12 plus level plus the middle of the physical stats, for a total of 13.  Mental Defense is 10 plus level plus the middle of the mental stats, which totals 12.

Hit Points are (6+Con) times 3, for a total of 18. I get eight recoveries, and the Recoveries are (at 1st level) 1d8.

Step 5:  Class Features, Talents, and Powers.  Rogues get three class features--Momentum, Sneak Attack, and Trap Sense.  Momentum is a mechanic that powers some of the Rogue powers, and is basically an on/off switch--if you make a successful attack, you gain Momentum, if you are hit with an attack, you lose Momentum.  Sneak Attack is what you expect, although it only works for melee attacks (unlike 5e).  And Trap Sense is Trap Sense.

All classes in 13th Age get three class-specific Talents from a list of a half-dozen or so.  The star among Rogue Talents IMO is Shadow Walk--use you Move Action at the beginning of the turn, make a Charisma check against the highest Mental Defense of your opponents, and if you succeed you disappear; on your next turn, your Move action lets you appear anywhere you want, and your attack on that turn does double damage.  That's great, especially because if you blow your Charisma check, you still have your Standard Action to attack or do something useful.  I'm also going to take Improved Sneak Attack, which upgrades the damage die on Sneak Attack by one step (i.e. for 1st level, from 1d4 to 1d6).  That's a little boring, but there is a Feat I want to take that goes with that.  For my third talent, I'm going to go with Murderous, which increases the Crit Range from 20 only to 18-20 if the target is Staggered (i.e. below half HP).  I'm thinking this character is going to be some sort of assassin, so that works.

I also get four Rogue powers.  Flying Blade gives you a 50% chance to apply your Sneak Attack damage to targets you hit by throwing daggers, which is situational but kinda nice.  Roll with It allows you to spend Momentum to halve the damage you take on an attack, and since you are going to lose that Momentum anyway as a result of the attack there's no real downside here.  Tumbling Strike lets you do the 5e Rogue Cunning Action cheese of walking up to the enemy, making an attack, and walk away without being hit, though it's not as good as the 5e version because you have to make a disengage check (albeit with a +5 bonus) to get away.  For the last one, I went back-and-forth for a bit, and decided to go with Sure Cut, that basically lets you do Sneak Attack damage on a missed attack.  Meh.

Finally, I get one Feat.  Feats in 13th Age are mostly "plug ins" to other abilities that upgrade them, and I am going to use the Feat on Improved Sneak Attack.  Now, once per "day" (which, in 13th Age terms, is usually four battles/one game session) I can use Sneak Attack on any target, even if it is not engaged with an ally.  This seems useful in combination with my Shadow Walk to target a boss-type monster that happens to be by him/her/itself.

Step 6:  One Unique Thing.  One Unique Things are some dimension of your character that is truly unique in the world, limited only by the fact that it cannot grant game mechanics bonuses.  It's a chance to really express a creative idea for the character.  For some reason the title "Constant Gardener" has been on the brain for a while. In addition, one of the ways 13th Age presents the Dark Elves is as the folks the Elf Queen and the rest of Elfdom don't really want to talk about but absolutely make use of when things get dicey.  So I am going to go with "the only member of both the Royal Gardening Guild and the Royal Assassins Corps."  Under 13th Age rules, by picking this One Unique Thing, the Elf Queen's Court now has a Royal Gardening Guild and a Royal Assassins Corps.

Step 7:  Icon Relationships.  Each character gets three points to distribute among the 13 Icons--the major movers and shakers of the world.  You can put more than one point into a particular Icon, and you have to decide if the relationship is Positive, Conflicted, or Negative.  At the beginning of each session, the player or GM rolls to see if the particular relationship will impact the story, and then the GM decides how.

The Elf Queen is a no-brainer, based on my One Unique Thing.  I'm going to put 2 points there, and go with Conflicted--I'm "on the payroll," but seen as a loose cannon.  For the other point, I'll go with negative 1 to the Prince of Shadows--professional rivalry with other assassins.

Step 8:  Backgrounds.  Backgrounds take the place of Skills in 13th Age--instead of "Stealth," "Lockpicking," etc., you have more a profession or experience like "Thief" that applies to all checks in which being a former professional thief are helpful.  You get eight total points to distribute to Backgrounds.

Two of these are obvious as a result of my One Unique Thing--"Royal Gardening Guild" and "Royal Assassins Corps."  I am going to put 3 in each of those--assassin-ing pays the bills, but I am also really passionate about gardening, you guys (and, being a master gardener is going to give me information about different sorts of plants, how small villages operate, etc., so it's also useful).  For the last two points, I'm going to go with "Reluctant Courtier"--I know my way around the Elf Queen's Court, but I don't have to like it very much.

Step 9:  Final Details and Name.  I'm terrible at coming up with fantasy names, especially elf names, so I am going to go to the random fantasy name generator.  Looking through my random choices, I like "Omdrail Phrendun."  "Omdrail the Gardener, who also kills people."  Yes, that works.

Hair and eyes are easy--silver hair and black eyes, the standard dark elf look.

And there you have it--Omdrail Phrendun (I'm going to go with "Phren-doon" on the pronunciation of the last name), the Dark Elf Rogue, and the first character of the series.  The character sheet can be found here.  One of the things that is so great about 13th Age is that you almost have to intentionally try to make a boring character.  Between Backgrounds and Icons and One Unique Things, if you just work through the process you will come up with something cool.  I also think 13th Age classes are more interesting than 5e classes.  It looks like I'm firing up a 13th Age campaign (in person!) and I can't wait.

Tuesday, October 29, 2019

40 Characters Before 2020--Introduction

I had two revelations this evening.  First, I own a ton of tabletop RPGs--I was casually looking at my bookcase and scrolling through my PDF files, and woo boy, there are a lot of them.  Second, it has been a long time since I sat down and made characters.  In large measure this is because I am the Forever GM, and so rarely have the occasions to do the full PC character creation.  But character creation is fun, and it has occurred to me that I own games that I have never made characters for.  That seems like an injustice, a significant "party foul," as it were.

So, I am going to do a series--40 characters, one for each game I have, before the end of the year.  I was going to do "40 characters in 40 days," but that seemed optimistic to a delusional degree, so I'm going to build in some flexibility.  The idea here is that I will describe the process of making a character under that particular system in a blogpost.  My hope is that it will give you a sense of the game and the sorts of characters that come out of the game, as well as follow along on what is ultimately a pretty goofy exercise.

As I thought about it, I am going to put in place some self-imposed ground rules.  First, I am only going to use core rulebooks of the particular game.  Some of these games have expansion books and some of them don't, so to both simplify things and to keep things on an even playing field, we'll use the core book only.  Along the same lines, I am going to follow what, as best as I can tell, is the default method of character creation--no optional rules, no shortcuts, just the base rules.  Finally, I'm going to alternate between making male and female characters--for no particular reason other than as a creative challenge to come up with character concepts.

With that in mind, here's the game list that I plan to do.  The order is the order that they sit on my shelf and on my hard drive, and so no particular order, really.

1.  13th Age
2.  13th Age in Glorantha
3.  Torchbearer
4.  Ashen Stars
5.  Night's Black Agents
6.  Fall of DELTA GREEN
7.  D&D 5th Edition
8.  AD&D 1st Edition
9.  Adventures in Middle Earth (5e)
10.  Star Trek Adventures
11.  Conan: Adventures in an Age Undreamed Of
12.  Runequest: Roleplaying in Glorantha
13.  Call of Cthulhu (7th Edition)
14.  Numenera
15.  The Strange
16.  7th Sea (2nd Edition)
17.  Monsterhearts (2nd Edition)
18.  Dungeon World
19.  Trail of Cthulhu
20.  Torg: Eternity
21.  Starfinder
22.  Esper Genesis
23.  Free Spacer
24.  Tales from the Loop
25.  Things from the Flood
26.  Apocalypse World (2nd Edition)
27.  Axon Punk
28.  Eclipse Phase (2nd Edition)
29.  Pendragon (5.2 Edition)
30.  Paladin
31.  Pathfinder (1st Edition)
32.  Shadowrun
33.  Swords of the Serpentine (Playtest)
34.  The Sprawl
35.  The Veil
36.  The Yellow King
37.  Heroquest: Glorantha
38.  Fear Itself

Eagle-eyed readers will see that this list is two entries short.  This is because (1) I probably forgot some games that I have; (2) given my purchasing habits, I may end up getting two new games before the end of year, ad (3) if anyone wants to suggest a game to look at, I have space to "work it in" at the end.  So, if you have suggestions, shoot them my way.  At the end, I'll probably gather up all the character sheets into one place, to have a record of this adventure.

First up--13th Age!

Eclipse Phase 2nd Edition Review

[Update:  This review was written based on the PDF version.  I just received the hard cover version, and it is visually spectacular--the most beautiful ttrpg book I have seen, in a way that doesn't really come across in the PDF.  So, that's worth saying.]

Back in 2009, I was living in San Francisco, and from time to time I would pop into the Borders bookstore across from Union Square and just browse.  At the time, I had been out of the tabletop RPG scene since the mid-90s, but every once in a while I would wander over to the RPG section of book stores and see what was new.  In '09, the new thing that I saw at Borders was a glossy, black-spined book called Eclipse Phase.  For whatever reason it caught my eye, so I picked it up and read it for a while.  An hour later, I was at check out buying the book, and pretty soon I was back into the hobby.  There were other games that I picked up and played more--4th Edition D&D, then 13th Age, then Numenera and 5th Edition and basically everything.  But my return to tabletop RPGs really got kicked off by Eclipse Phase, and I have followed their line all the way through.

In 2017, the designers at Posthuman Studios Kickstarted a 2nd Edition, and they sent out the PDF version of the Corebook (the hardcover is due soon), and that is the version I am reviewing.  It is worth noting that Posthuman releases its products under a Creative Commons License for the PDFs, and so if you want to check out the 1st Edition materials, you can get them legally here

The selling point for Eclipse Phase, or EP, is the setting.  EP is a transhumanist sci-fi role-playing game, with strong elements of conspiracy and horror thrown into the mix.  The best short summary of what it going on in EP comes from the evocative tagline:

Your mind is software. Program it. 
Your body is a shell. Change it. 
Death is a disease. Cure it. 
Extinction is approaching. Fight it. 

Prior to EP, I had very little exposure to transhumanism and transhumanist ideas.  At least in its EP presentation, the technology exists to make copies of the consciousness of a human being, store it as data in a computer system, and then download it into a new body (known in the game as "re-sleeving").  This makes your body a possession that you have (and can change, if you have the means or access), as opposed to a reality you must accept.  These bodies are modified through genetic engineering into a wide variety of optimized forms, or replaced with mechanical forms, or dispensed with altogether in favor of existing in a purely digital form.  There are also uplifted animal forms, allowing you to play, among other things, a giant octopus.  Thus, while there are no playable aliens in EP, there is an enormous variety of character types, and the ability to move from embodiment to embodiment that creates additional options.

Anytime you engage with transhumanism, you are on some level engaging with questions of identity, and EP puts those questions very clearly on the table.  To take one example, in the last few years questions of gender identity, and associated questions relating to changing or conforming one's physical presentation to those identities, have entered the mainstream discourse.  In the world of EP, most people have easy access to tools that allow them to explore a vast array of physical presentations in a non-permanent context.  And this, in turn, raises questions--if I, someone with a male gender identity, could spend a week in the body of a woman "just to see what it is like," would I do that?  Probably.  After all, in the world of EP, that kind of experimentation would likely be considered vanilla, as your options literally include inhabiting a giant octopus.

The "extinction" bit has to do with the threat of the TITANs, a set of ascended AIs that attempted to wipe out the "transhumanity" ten years before the starting point of the game.  At the cusp of achieving its goal, the TITANs disappeared, for completely unknown reasons.  As a result, EP is a post-apocalyptic game, with the Earth mostly uninhabitable and policed by an orbital satellite defense system that no one is willing to take responsibility for setting up.  The inhuman threat of the TITANs also adds a strong horror component.  The default game concept in the 1st edition of the game had players serving as members of "Firewall," a conspiratorial organization dedicated to preventing another extinction-level-event.  Second Edition retains the Firewall campaign option, but broadens the focus--more on that in a bit.

The third major tent-pole of the EP setting is politics/economics.  Roughly speaking, the Inner Solar System (i.e. from Mars inward to the Sun) is controlled by a consortium (called...the Planetary Consortium) of business interests that push a capitalist line.  The Outer System, by contrast, is dominated by anarchist and other non-capitalist economic and political systems (most notably the Nordic Socialism 2.0 of Saturn's moon Titan).  These two sides, as you might expect, don't like each other very much, and are engaged in a system-wide "Cold War."  At the heart of this divide is the fact that nanotechnology allows for something approach a Post-Scarcity economic situation, where a household nanofabricator can "3-D print" anything you might need with some power and a store of bulk matter.  The Outer System is all-in on these ideas, while the Inner System powers strongly regulate the use of nanotechnology, ostensibly for security reasons by also to protect their economic position.

Once again, I had very little familiarity with anarchist political ideas or Post-Scarcity economic theorizing prior to EP, and while the designers are pretty clearly on "Team Outer System" by and large, there is enough there to show off the pros and cons of each system in order to provide a balanced perspective and interesting story material.  For example, anarchist systems run entirely on the "reputation economy" to distribute skilled labor, unique materials, etc., mediated in part through online scoring systems.  In '09 when EP first came out, this seemed (and was presented as) mostly unproblematic; after ten years of social media ubiquity, it's not hard to see how that can be subject to manipulation and grief.

The final tent-pole of EP are the Pandora Gates--basically star gates that appeared mysteriously after the TITANs left at five places in the Solar System and which allow for instantaneous travel to other systems.  Different entities are exploring and settling these extra-solar worlds, discovering the ruins of other civilizations (though, no living aliens, apart from the slime-mold like Factors who showed up in the Solar System and are basically just "keeping an eye on things").  So, in addition to or as a substitute for Firewall-oriented play, you can play a group of explorers seeking out new worlds in a Very Weird version of Star Trek.  Second Edition also gives more resources for running a Han Solo-style "scum and villainy" criminal focused campaign, which is an interesting choice as it was not front-and-center in any of the 1st Edition materials.

As you might be gathering, the setting of EP is very dense and very rich.  It is a lot to absorb for the newbie, especially as it draws on material from less common ends of the sci-fi pool.  And, perhaps except for a pure Gatecrashing campaign, it would be difficult to run a campaign that doesn't engage with the political and economic ideas of the setting.  EP as written is clearly anti-capitalist, pro-anarchist, and pro-transhumanist, and while they are not going to come to your house and seize your gaming materials if you depart from that, the work needed to re-craft the setting away from those concepts is likely not worth the effort.

Having said that, I love the setting, despite not necessarily sharing all of those ideas personally.  And I think the setting material matured, in the sense of becoming richer and more nuanced, as the line developed.  For example, the original corebook presented the Jovian Republic in a pretty standard left-wing, unflattering characterization of US-style political and religious conservatives.  The Outer System sourcebook, Rimward, didn't so much depart from that as present things from their point of view, allowing you to see why folks would be on-board with a basically fascist state and presenting interesting (if not very nice) factions within that structure to work with for story purposes.

Second Edition keeps all of that good stuff, with the changes limited exclusively to the rules engine.  First Edition was a very crunchy game, especially by 2019 standards, showing off the influences of the designers' previous work on Shadowrun.  The new edition is still comfortably above the median on the crunch scale, but they made some targeted changes to bring it down a bit.

The biggest change has to do with how bodies work.  Remember, your character's body (known as a "morph") is basically a piece of gear in EP, and can be changed and swapped during play.  In 1st Edition, your morph provided bonuses or penalties to your attributes, which in turn affected your skills.  Thus, when you switched morphs, you had to in a sense rebuild your character and recalculate all of your skills.  Second edition morphs, instead of affecting attributes, instead provide points to physical, mental, and social pools that allow you to alter dice rolls or perform other effects.  So, instead of the Olympian morph giving a bonus to your Somatics attribute that effects every test, you get a pool of points to spend on certain tests.

While this does make morphs less relevant to the outcome of the game overall, it greatly simplifies the character management process.  The pools also push the game in a bit of a narrative-game direction, a departure from 1st Edition.  Spending a point from the Insight Pool allows you to automatically find a clue a la the GUMSHOE games, and there is a fourth, "Flex," pool that allows for things like causing a helpful NPC to appear or introduce an element into the environment.  I like these sorts of mechanics, but they are a little bit jarring for a game that is otherwise very simulationist.

The second change is to character creation.  The system in the corebook for 1st Edition was full-on point buy, with all of the time-consuming min-maxing that goes along with that.  It was divided up into packages corresponding to a character's background, but most of it was freeform spends.  Second Edition puts the emphasis on bigger character creation "blocks," with a few bonus point to sprinkle around at the end.  You can still basically build your character however you want, but it moves faster and it is less overwhelming for new players.  In service of this, the number of skills in the game was significantly reduced to 21 plus knowledge skills, which helps.  They also smartly segregate the points used to buy morphs from the rest of the character creation points.  In 1st Edition, buying a tricked-out morph at character creation was a trap option, since many adventures would require you to ditch your morph to move around, causing you to lose those points.  [In EP, the most common way to travel from place to place is to download your consciousness, broadcast it to your destination, and "sleeve" you into a new morph].  Now, you basically build your "ego" (consciousness), and then select a morph separately.

With all of the simplifications, though, it's still a crunchy game.  The basic mechanic is a percentile dice system using "the Price Is Right" rules--you want to get as high a roll as possible without going over your target number, which is your skill/attribute value modified for difficulty.  In addition to the binary success/failure, a roll of 33 or above that succeeds is a superior success, while a 66 or above that succeeds is a double superior success; likewise, a roll of 66 or below that fails is a superior failure, and a roll of 33 or below that fails is a double superior failure.  On top of that, doubles (i.e. "00," "11," "22," etc.) are criticals, either a critical success if the roll is a success or a critical failure if it is a failure.  This system creates a lot of conceptual space for narrating outcomes from a single roll, and the clean breaks make it pretty easy and quick to interpret a particular roll.  My one concern is that the distinction between superior successes/fails and critical successes/fails is not immediately obvious (though, the rulebook does a good job of providing concrete examples of implementing both), and I suspect it will take a while for GMs to get used to narratively describing all of the different permutations.

Combat wise, everything is an opposed test--attacker rolls to hit, defender rolls to dodge or otherwise defend.  Damage is then applied against a HP-like pool, and attacks that do a certain amount of damage cause more significant wounds.  In keeping with the horror dimension, there is also a parallel mental damage track, as you lose sanity through confronting inhuman horrors (though, in EP, you can go under the psychosurgery "knife" and get that fixed up).  One smart change from 1st Edition was to get rid of Shadowrun-style multiple actions per turn for high initiative results, which slows combat to crawl in my experience.  I haven't done a comprehensive comparison between editions, but it also looks like they paired back the combat modifiers and noodly bits.

Hacking rules are a notorious pain-point in cyberpunk and cyberpunk-adjacent games, and I will confess that I made a point of avoiding the Hacking systems in my previous encounters with EP.  Smartly, 2nd Edition EP follows the trend I've seen in hacking systems generally of moving away from making hacking a separate mini-game and toward a menu of actions that you can take to make the computer do what you want it to do.  This integrates hacking better into the rest of the game.  The rules for cyber-combat (called here "Mesh combat") take up only one page, which suggests that they are not going to be overly burdensome in play.

There are also rules for psychic powers, for transferring your character's brain from body to body, for dealing with different sorts of habitats and a variety of locales throughout the solar system and beyond, for reputation and social networks, and a bunch of other stuff.  There are a lot of systems and material, but there is a lot of stuff in the setting, so I'm not sure what else they could have done to streamline it more than they have already done.  And that really speaks to my overall take on the rules changes--it is markedly simpler than 1st Edition, but it's not really simple.  The streamlining is meaningful as compared to 1st Edition, but it may not be enough for many folks.

So, here's my ultimate conclusion on Eclipse Phase 2nd Edition.  First off, everything that made EP an amazing setting is unchanged, and if you have any interest in these themes and ideas, you owe it to yourself to check it out.  Even if you never play the game, it's worth reading and thinking about as a piece of fiction--it's that good.  As far as the game goes, unless you are a dedicated high-crunch fan or completely allergic to narrativist mechanics, 2nd Edition is clearly the way to go.  As neither of those things, from my perspective 2nd Edition is an improvement on 1st Edition in basically every way.  But it's still crunchy, and it's unavoidably "a lot," as new players and GMs will not only have to take in a multi-faceted setting with concepts that might be unfamiliar, but also a demanding (though, not as demanding as before) set of game mechanics that cover the sprawling setting.

Would I be willing to play or run Eclipse Phase 2nd Edition?  Absolutely, gladly--as long as I had players willing to "dig in" a bit to the lore and the mechanics.  There are stories that EP can tell that I don't think can be told in other settings.  It's worth the effort, and its less effort than before, but it is still going to be effort. 

Friday, September 13, 2019

A Modest Defense of Consent in Gaming

On Wednesday, Monte Cook Games ("MCG") released a free product in PDF entitled Consent in Gaming, written by Shanna Germain and Sean K. Reynolds  In many respects, it is a very on-brand product for the MCG crew--it is beautifully laid-out (I continue to believe that MCG products have the best looking and cleanest lay-out of any tabletop RPG company), has lots of pretty, Numenera-ish art, and is a breezy read.  It is also on-brand in the sense that MCG has tackled similar, or at least adjacent, topics before--Germain's Love and Sex in the Ninth World was the first ttrpg product about sex that I encountered that both mature and thoughtful (i.e. not completely cringe-inducing), as well as useful and relevant for play.  Likewise, MCG has recently come out with Your Best Game Ever, an incredibly useful (and, as far as I know, unique) book laying out best practices for all of the social and meta-contextual elements of playing a ttrpg that don't involve the game rules--how to create a character that other players and the GM will enjoy playing with, who should bring snacks, table etiquette, things like that.


Consent in Gaming can be seen as a supplement to Your Best Game Ever, honing in on the question of content in games and how to get everyone at the table on the same page about that content.  As the title might imply, Germain and Reynolds borrow the framework of consent in the sex context--no content is necessarily off-limits or problematic so long as everyone is prepared ahead of time and has affirmed their desire work in that space.  This framing is also not a surprise, as Germain, in her "other job," is an erotica/BDSM writer and advocateConsent in Gaming is in many ways a modest work, as it is only 13 pages, and it draws on (and very explicitly acknowledges) other works and other people who have developed tools and strategies in this area.  Still, Consent in Gaming is very useful, as it brings all of that somewhat disparate material together in one place and promotes it under the imprint of one of the most prominent ttrpg publishers, greatly enhancing the visibility and accessibility of these ideas.

It is a sign of the times, I think, that people were Big Mad Online about Consent in Gaming.  I should say, right up front, that (surprise, surprise) I think some of the online commentary is not being offered in good faith.  But, for purposes of this post, I am going to do everything I can to treat the criticisms that I saw at face value, and attempt to address them in what I hope is a constructive way.  Because I believe that Consent in Gaming is a good and necessary product, even if you don't use many, or even any, of the tools and approaches that it lays out.

So, what were the critiques?  One level of critique is to the notion of consent as a framework for approaching a tabletop RPG session, viewing it as fundamentally unnecessary.  This is expressed, in a troll-ish way, with questions like "what, am I as the GM going to have to ask my players' permission to kill their character?"  Well, yes and no.  Some of the content that makes up a tabletop RPG session is implicit in the nature of the game and its core elements.  If I sit down to play having spent twenty minutes min-maxing my combat stats, setting a stat that explicitly measures how much punishment my character can take before he or she dies, and choosing my weapons, I have to know that combat is going to be part of the game.  By sitting down at the table, one is at least tacitly consenting to some measure of violence in the game, including violence against your character.

However, there is a wide chasm between "your character might die," and "we are going to describe in detail your character being disemboweled."  Indeed, the way most ttrpgs abstract combat would likely lead one to the default assumption that there will not be an in-depth description of viscera and the other elements of "real combat."  Within the boundaries of the implicit consent provided by agreeing to sit down and play a particular ttrpg with particular content, there are a host of variations and unaddressed elements, and thus a host of places where different people might have different expectations around content.  In other words, there are lots of potential consent questions that are floating out there in a tabletop rpg session, and it is reasonable and prudent to bring some clarity to those questions.

This dovetails with the second strand of criticism, which has to do with implicit versus explicit standards.  There is a school of thought (in all things really, but here as well) that it is a bad thing to make these expectations concrete because it reduces creativity and flexibility.  I know there are a lot of people who feel this way in general, but I just fundamentally disagree.  In my experience, having clear, explicit boundaries enhances, rather than detracts from, creativity, because it provides a protected space in which to work.  If you don't know where the go and no-go areas are, I think most people will (and, I would argue, should) err on the side of caution when treading on potentially challenging ground.  But if you know exactly where the boundaries are, you know exactly how far you can go.

Let me give an example.  With my core gaming group, I'm getting ready to run a horror game for the first time (Eternal Lies for Trail of Cthulhu, for those curious).  Eternal Lies has some very explicit sexual content, and it has a strong dimension of body horror.  Neither of these are areas we have gone to before as a gaming group (our games thus far have been pretty PG-13, and this is at least a hard R), and so I wanted to make sure everyone was OK with those elements.  One of my players's response was basically "depends what you mean by sexual content--I'm not OK with demeaning or degrading depictions of women."  This is enormously helpful to me, first because I don't think the material in Eternal Lies fits that description, but also because I now know exactly where not to take the material that is there.  I feel much more confident and much more free to run the game in this space as a result of know where the landmines are located for my players.  If I didn't know what the problems were, I would be more inclined to just back all of the sexual content down (or, more likely, just not run Eternal Lies, as the material is pretty central to the plot).  All of that was made possible by being as direct as I possibly could be without spoiling the story.

Next, we have the "none of this is necessary because if there is a problem we can just talk about it" school.  One version of this centers around the checklist that is at the end of Consent in Gaming, which lists a series of potential trouble spots and encourages the user to check the green, yellow, or red box for that particular item.  This is presented as adding a bureaucratic element, one better addressed with less formal conversation.  But the virtue of the checklist, for me, is that it raises danger areas that many people might not be aware of as danger areas for others.  For example, I never considered "paralysis/physical restraint" as a danger category, but once you become aware of it, you can immediately see why it might be a problem for people and why it should be brought up.  If you find that having everyone fill out the checklist and submit it is overkill, then it is still useful as a reference sheet and to spur areas of discussion and consideration.

The other, and I think much more problematic, version of "just talk about it" is the notion that there is no need to address these issues on the front end because people can just object if and when an issue comes up.  There are several problems with this.  First, the cat is already out of the bag at that point.  I basically have a phobia around needles, and if a GM has described a bad guy driving syringes into my PC, me saying "hey, let's not go there" means I've already had a pretty bad time.  At the end of the day, playing a ttrpg is supposed to be fun, and so preventing an un-fun thing from happening again is not as good as preventing the un-fun thing from occurring in the first place.  Along those lines, putting the burden on the person who is in the midst of having a bad time to object in the moment can compound the bad time.  Is that an overwhelming burden?  Well, that depends of how bad a time the person is having.  My needle fear is not bad enough that I would be likely to have a big problem speaking up.  But other folks, especially if this relates to or stems from trauma, could be in a bad place, and not really able to "just speak up."  Finally, "just speak up" reflects a naive understanding of social and interpersonal dynamics.  It's hard to be the one person who dissents, even among a group of friends.  Many people, very often, will just choke back the objection and endure a bad time.  And, once again, the goal of this exercise is for everyone to have a good time, so this is a failure of the objectives of playing a ttrpg.     

Another line of critique is "we don't need to talk about this because we never use edgy or problematic content."  And, for many groups, that's true.  My regular group was more or less that type of group until this coming campaign.  If so, then this product is not for you, and that's fine.  But other groups do get into these sorts of spaces, and so it is relevant for them.  And, as discussed above, you may not be aware of what content is problematic unless or until you lay it all out on the table, so there is value in making sure you are not near any no-go zones.

It's also the case that, for some people and for some groups, they are not trying for a particularly emotional or personal experience.  This is part because of content (or, rather, a lack of certain more emotional or personal context), and in part because of the attitudes of the players and GM.  But it is also the case that ttrpgs can very quickly and very easily move into those spaces, and many players and groups seek out personal and emotions experiences through these games.  Being a player or being a GM is a kind of acting, and acting is a necessarily personal activity.  You bring a big part of yourself to the table when you participate in these games, even if everything is pitched at a very casual level.  I think many people in this hobby, especially people who don't have any sort of acting or performance background, don't really realize how quickly you can find yourself in a very personal and emotional space that you didn't necessarily see coming from the jump while playing these games, and you often don't realize until it is upon you.  My one experience playing Monsterhearts a Gencon was like that--everything was cool and casual and I am playing this edgy indie game with random folks at 11 in the morning, and then all of the sudden it's "oh, wow, I'm playing myself as a teenager, and feeling all of those old feelings, and this has gotten very real very fast."  So, even if a group doesn't intend to tread on any of these sensitive areas, I think it is wise to at least consider these questions.

Then we have the "why are you trying to impose your vision of ttrpgs on me?" group.  This again, has two versions.  The first is the idea that somehow Germain, Reynolds, and MCG are trying to impose a vision of how ttrpgs should be conducted, and are thus interfering with a gaming group's prerogatives.  I really don't get this objection.  Shanna and Sean and the folks at MCG are not the RPG police, breaking down your door in the middle of a session and demanding that you present them with your X-Card and consent checklist.  Nor is there anything in Consent in Gaming that presents itself, or them, as seeking that role.  If you don't like what they have written, then you can ignore it.  If you think all of this is unnecessary, then move along.

But the other, and I think more sinister, version of this is the idea that documents like this will encourage people to insist on these sorts of structures, making them normative in the ttrpg community, and thus negatively affecting other people's gaming experience.  You saw folks on Twitter saying things like "I would kick anyone out of my group who thinks this is a good idea," or "I will not allow this to be waived in my face."  On one level, I mean, OK.  Neither I nor MCG nor anyone else can stop you from purging folks who think consent structures are a good idea from your gaming universe.  Again, there is no RPG police.  But it's hard not to wonder what is going on in a gaming group where a discussion of boundaries by a player or potential player is greeted with this sort of reaction.  What is it that you want to do that is going to be limited as a result of these tools?  I thought we were all trying to have a good time here.

Underlying all of this is a certain sort of GM absolutism, in which the GM is allowed unfettered discretion to define the world as he or she chooses, and the players just have to sit there and passively accept it.  I found that kind of thing really odious when I first started back in the early 90s (when it was more common), and it feels positive archaic now.  Tabletop RPGs are, and should be, a collaborative exercise and power-tripping GMs are bad for everyone.  And when the power-tripping is taken on by people with a poor sense of boundaries and consent, you get horrible and totally unacceptable shit like the incident at the UK Games Expo a few months ago, where a GM running Things from the Flood (a game where the PCs play teenagers) had the PCs kidnapped and gang-raped for shock value.

Which leads to the last group, and I think least defensible on even the most generous reading, the "fuck your feelings" crowd.  I saw a post by Mark Finn in which he chronicles a thread in which a commenter insisted that it was necessary to have rape in tabletop RPGs because barbarians raped people, and thus we must be historically accurate in our Conan games.  Medieval people died of diphtheria, too, but I have yet to see anyone insist on the importance of that sort of historical accuracy in a medieval fantasy game.  Curious how rape is the element of the medieval period that is the marker of historical accuracy (again, in a Conan game, a world known for its fidelity to historical fact).  It is hard not to conclude that the commenter really likes the idea of depicting and talking about sexual assault in his ttrpg games.  Which, it should be said, I suspect Germain and Reynolds would endorse so long as everyone new what was going on and was on board.  Personally, I would not want to play in such a game, "historical accuracy" or no historical accuracy, but I am not offended that such games exist conceptually.  But if I show up for a session and you start describing in detail a violent sexual assault, I'm out.  And if the point of this exercise is to make me uncomfortable, then we have a fundamental breakdown in what it is we are trying to do in playing these games.

The other version, which I think might be worse, is the idea that tabletop RPGs should be spaces to explore and push on boundaries or difficult areas.  If that's what people want, and again consent ahead of time, then OK.  But you are a GM, not a therapist.  Getting into someone else's trauma and poking around, especially if you don't know what you are doing, is very dangerous.  And, more to the point, except for a small category of court-ordered interventions, therapy is a consensual process as well--once again, we are back to that word consent.  The idea that I show up for a fun ttrpg session and the GM unilaterally decides that he or she is going to "help me grow" by poking around in sensitive areas is profoundly irresponsible, and far, far above the GM's pay grade.  This is a very, very bad idea, for all involved, and if you think you are helping people with this, rethink things.

Again, perhaps none of this is helpful or worthwhile, as people who insist on being upset are likely going to be upset no matter what.  If your experience of playing ttrpgs is ruined by Germain and Reynolds and MCG publishing a 13 page PDF on consent, I don't know what to tell you.  But if you have a beef with this, at least take a moment to step back and think about the broader context, and why these resources are and can be useful to other people.